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"Seven Nations — the name refers to the seven original Celtic nations of Scotland, Ireland, Wales, Cornwall, Galecia, Isle of Man, and Brittany — officially began in 1993 in New York City with a standard line-up of drums, guitars, and bass"
The story of SEVEN NATIONS is that of a truly original and determined band that began in New York City, with members now hailing from California, to Toronto, to Florida. They have for years booked their own tours and have had their own PBS & CNN specials. Throw away any preconceived notions you may have about Celtic music...this is a band that has invented its own sound and attracted a prodigious national and international following.
Seven Nations is not your father’s Celtic band. With a passionate, tender, and rollicking style that winningly veers from roots and folk to dance and fusion-rock, Seven Nations has earned a growing reputation as an adventurous band with a charismatic stage presence.
“Seven Nations — the name refers to the seven original Celtic nations of Scotland, Ireland, Wales, Cornwall, Galecia, Isle of Man, and Brittany — officially began in 1993 in New York City with a standard line-up of drums, guitars, and bass,” notes lead singer and guitarist Kirk McLeod. “We soon introduced bagpipes into the show, and over time the number of songs utilizing bagpipes grew until it became obvious that they were integral to our emerging sound,” says McLeod. “Most of the band members grew up playing Celtic music, and we’ve been performing original compositions since we began. Our instrumentation, and bagpipes and fiddle mostly, give us a distinctive sound and that’s what makes us different.”
Seven Nations has been touring full-time since 1994 with successful stops in Europe, Canada, Puerto Rico, and virtually every state in the US. The band has recorded a number of albums with over a quarter million units in sales. The band’s latest album, Tales from the Eighth Nations, has been praised for “having the appeal of the original albums, yet a mature songwriting style. The lyrics are relatable, surprising, and the pipe/fiddle hooks stir a desire to listen to the album over and over.”
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